Guardians of the Galaxy Vol. 2 is as shamelessly manipulative and formulaic as a Hallmark picture, but at least those films are self-consistent.
Read MoreThis is a work of exceptional sympathy, of one artist bonding with another and transcending his own failings as he explores the failings of another.
Read MoreThree Billboards Outside Ebbing, Missouri is funny and thoughtful with moments of arresting pathos, but it's also a little confounding.
Read MoreWheelman is the sort of honest B-movie entertainment that Netflix ought to be funding more often.
Read MoreJustice League is merely good, while aspects of Batman v Superman: Dawn of Justice and the presence of both Whedon and Snyder suggest that it could’ve been great.
Read MoreThere’s no good reason for 11/8/16 to exist in this moment, beyond our obsessive need to relive past trauma with no desire to learn from it.
Read MoreThere’s no better way to describe The Mission than as an exceptional jazz riff.
Read MoreAs many films try to do but fail, it shows the man in the monster.
Read MoreAn assaultive exercise in found-footage terror.
Read MoreA staggeringly-coherent allegory with unrelenting emotional intensity.
Read MoreInnovates just enough to rise above its limitations.
Read MoreA genuine mega-hit that earns its popularity.
Read MoreToo slow-paced and saggy to work effectively as a heist comedy.
Read MoreCombines emotional depth with insight on race and culture.
Read MoreLet There Be Light is short and always remains engaging, even if it seems to be jumping the gun as pertains to this particular subject matter.
Read MoreAbout as accessible as a Hong Sang-soo film is likely to get.
Read MoreA profound disappointment coming from such talent.
Read MorePop cinema is rarely so satisfying.
Read MoreAs much a horror movie as a Civil Rights epic.
Read MoreA gorgeous animation with tender emotions.
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