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Review: Venom: The Last Dance (2024)
The final film in the Tom Hardy Venom trilogy, The Last Dance lacks the arch tone that made the predecessors so fun.
William Friedkin’s The French Connection remains one of the all-time classics of the New Hollywood era.
Drew Hancock’s thriller blends sci-fi and slasher conventions in amusing, if minor, ways.
RaMell Ross’s adaptation of the Colson Whitehead novel is a formally radical work of empathy.
Reflecting on the career of the iconic star of The French Connection, The Royal Tenenbaums, and Unforgiven.
Aren shares his favourite films of the past year, including Dune: Part Two, Juror #2, and Nosferatu.
Aren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
Anton and Anders discuss this documentary featured at Hot Docs 2024 on how the search for dinosaur bones links colonialism, the global bone trade, and scientific discovery.
The Brothers dig into Martin Scorsese’s Killers of the Flower Moon, interrogating its structure, length, and point of view.
Pascal Plante’s psychological thriller is one of the most disturbing movies of recent years.
Anders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
Russell Crowe’s General Maximus is one of the great movie heroes.
Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
John Adams is smart about politics and history but also has a careful eye for friendship and marriage.
Season 1 demonstrates that Rome deserves to be ranked among the highest achievements of the Golden Age of Television.