The Platform is both an allegory for class warfare and a seriously entertaining science-fiction horror film.
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Sound of Metal has one of the most astounding sound designs in recent memory.
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A remarkable examination of poaching in Northern Kenya that works as both a perceptive documentary and an exciting thriller.
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A useful record of the 2016 Brexit vote, but a repetitive piece of filmmaking.
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Anton reviews the great Errol Morris’s insightful documentary interviewing Steve Bannon.
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Kore-eda’s Palme d’Or winner is a moving and perceptive drama that further examines themes laid out in Nobody Knows and Like Father, Like Son.
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Claire Denis’ confrontational science-fiction film has provocative imagery and an excellent Robert Pattinson performance, but it lacks cohesion and internal logic.
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Sunset is a masterpiece of historical filmmaking.
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The latest documentary from Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky is full of astounding imagery and damning environmental implications.
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Interesting but scattered, The Cleaners shows us the hidden workers who monitor all the content people try to post to social media platforms.
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Combines emotional depth with insight on race and culture.
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Schrader’s new film acts as the culmination of his work as a filmmaker and critic.
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About as accessible as a Hong Sang-soo film is likely to get.
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A profound disappointment coming from such talent.
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A solid chronicle of important global events.
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A ghost story for the present age, starring Kristen Stewart.
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Occasionally breathtaking, but mostly baffling.
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A film of primal intensity.
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A mellowing and enriching family dramedy.
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A compelling film, even as it shows the limits of the Dardennes' filmmaking style.
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