A staggeringly-coherent allegory with unrelenting emotional intensity.
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A genuine mega-hit that earns its popularity.
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Too slow-paced and saggy to work effectively as a heist comedy.
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Let There Be Light is short and always remains engaging, even if it seems to be jumping the gun as pertains to this particular subject matter.
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As much a horror movie as a Civil Rights epic.
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The Big Sick is a delightful film that provides laughs, insight, and tears in equal measure.
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A passionate declaration for justice in the here and now.
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If only all superhero films were this good.
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Graduation is an excellent film in the European arthouse tradition, challenging viewers with its moral inquiries and empathetic portraits of damaged characters.
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A beguiling masterwork from a key American auteur.
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Singular moments impress, but the film lacks a cipher to unlock its secrets.
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Fans of Davies’s films or Dickinson’s poems will be in rapture, but the average viewer will be left befuddled.
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Unrelenting in a way most Canadian films are not.
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T2 Trainspotting profoundly understands and employs nostalgia.
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Hirokazu Kore-eda has crafted one of the best films of the year.
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Sublime carnage in perfect balance.
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Shyamalan's entertaining return to form.
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The Founder is a solid biopic with a blistering Michael Keaton at the centre.
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The Salesman works as a great introduction to Farhadi’s films, while being doubly-rich for those familiar with his previous work.
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About as good an actors' showcase as you'll get this year.
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