Simon West’s action classic leans into every absurdity of 1990s filmmaking, defining its entertainment ethos, without capturing its art.

The Last Wave examines how colonialism manifests an eschatological divide that ripples out across the spiritual world.

Crimes of the Future is a clear progression of the experimental filmmaking of Stereo and a stepping-stone towards the sexual body horror of Shivers.

The Brothers discuss Christopher Nolan’s latest mind-bending action thriller, Tenet, including its thematic interests, action filmmaking, and all-star cast.