A lacklustre heist picture.
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Like Certified Copy, Like Someone in Love shows that Kiarostami’s cinematic powers are not limited to one language or culture.
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An essential work for anyone with an interest in Iranian filmmaking or art cinema in general.
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Rickman and Thompson excel at Austen.
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A definitive argument for the character (and the series') effectiveness.
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For its look and feel, Sleepy Hollow is one of Burton's best.
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Is it just an extended epilogue to the previous film, or a set up for things to come? It's hard to tell with this film.
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An articulation of the very essence of the series.
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The original slasher film, but its impact has dulled over the years.
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A majestically bad film.
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A miscalculation of tone and execution on nearly all levels.
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Uneven, but still one of the stronger Brosnan films.
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A handsome action film, but it hasn't aged well.
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A key Bond film that brought the franchise into the post-Cold War era.
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The most violent James Bond film yet, and a pretty good one.
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Connery's return offers some pleasures, despite being somewhat superfluous.
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A dud that offers an interesting look at an alternate reality.
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Roger Moore sadly goes out on a low note.
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A most curious horror film.
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Despite a few dreadful missteps, still a rollicking adventure.
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