Aren offers his predictions for the 2022 Oscars, as well as his personal picks for each category.
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The sequel to Pitch Black takes a bizarre left turn into space opera, resulting in a deeply silly and kind of awesome epic.
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All Is True could’ve been a disastrous work of biographical criticism, but instead, it’s a quiet drama that understands Shakespeare’s appeal.
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A definitive argument for the character (and the series') effectiveness.
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Is it just an extended epilogue to the previous film, or a set up for things to come? It's hard to tell with this film.
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An articulation of the very essence of the series.
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A miscalculation of tone and execution on nearly all levels.
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Uneven, but still one of the stronger Brosnan films.
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A handsome action film, but it hasn't aged well.
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A key Bond film that brought the franchise into the post-Cold War era.
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No longer surprising, but still a delight.
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Following the Oscar categories, Aren offers his picks for the best performances of 2012.
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A delightful comedy-drama about the struggles of growing old.
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