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The American Dream in Pain & Gain and Spring Breakers
13 May 2013 9:23 AM | 2 Comments -
Iron Man 3 (2013) Roundtable Discussion
09 May 2013 11:12 AM | No Comments -
The Emergent Subjectivity of Upstream Color
08 May 2013 12:59 PM | No Comments -
HotDocs13: Blackfish (2013)
06 May 2013 12:16 PM | No Comments -
The Place Beyond the Pines (2013)
06 May 2013 11:22 AM | No Comments -
HotDocs13: The Defector: Escape from North Korea (2012)
30 April 2013 12:01 PM | No Comments -
HotDocs13: Terms and Conditions May Apply (2013)
29 April 2013 10:41 AM | No Comments -
HotDocs13: Downloaded (2013)
29 April 2013 10:39 AM | No Comments
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The American Dream in Pain & Gain and Spring Breakers
13 May 2013 9:23 AM | 2 Comments -
Iron Man 3 (2013) Roundtable Discussion
09 May 2013 11:12 AM | No Comments -
The Emergent Subjectivity of Upstream Color
08 May 2013 12:59 PM | No Comments -
HotDocs13: Blackfish (2013)
06 May 2013 12:16 PM | No Comments -
The Place Beyond the Pines (2013)
06 May 2013 11:22 AM | No Comments -
HotDocs13: The Defector: Escape from North Korea (2012)
30 April 2013 12:01 PM | No Comments -
HotDocs13: Terms and Conditions May Apply (2013)
29 April 2013 10:41 AM | No Comments -
HotDocs13: Downloaded (2013)
29 April 2013 10:39 AM | No Comments
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Movies Today Archive
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The American Dream in Pain & Gain and Spring Breakers
Posted on May 13, 2013 | 2 CommentsAren: Michael Bay and Harmony Korine's films satirize the concept of the American Dream. -
The Emergent Subjectivity of Upstream Color
Posted on May 8, 2013 | No CommentsAnders: Some thoughts on the challenging and beautiful new film from Shane Carruth. -
Re-Entering Fight Club
Posted on April 18, 2013 | No CommentsAnton: Fincher's satire is a dangerous text. -
Joe Johnston’s “Imagined” America
Posted on August 4, 2011 | 1 CommentAnders: Nationalism and Myth-making in Captain America: The First Avenger and The Rocketeer -
Shutter Island and the Trauma of Modernity
Posted on February 8, 2011 | No CommentsAnders: Is Shutter Island just a thrilling genre exercise? Or is it rather a powerful reflection on the delusions of Modernity and the trauma of violence?
