This naked attempt at content (re)generation is packaged alongside some arch yet soft satire and meta-commentary.
Read MoreWindfall is a minimalist thriller whose modest dramatic tension is thrown off balance by its miscasting.
Read MoreNetflix’s stop-motion anthology film is often chilling, occasionally amusing, and visually intricate.
Read MoreRichard Linklater’s Apollo 10 ½: A Space Age Childhood offers a warm hug of 1960s space age nostalgia.
Read MoreThe new Texas Chainsaw Massacre requel is stylish and short, but it has a dearth of compelling characters and story at its centre.
Read MoreSteven Soderbergh’s new techno-thriller set during the pandemic is timely and stylish, but narratively predictable.
Read MoreAnders Thomas Jensen’s action dramedy starring Mads Mikkelsen handles character drama and emotional growth in surprising and moving ways.
Read MoreThe problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
Read MoreHome Sweet Home Alone is bad in ways that are revealing of the differences between 1990s family entertainment and that of the 2020s.
Read MoreMichael Dowse’s Christmas comedy about the quest for an NES plays like A Christmas Story set in the 1980s.
Read MoreThe Way Brothers’ raucous film about the Danbury Trashers plays like a sequel to their previous sports documentary, The Battered Bastards of Baseball.
Read MoreRodney Ascher’s film on the simulation hypothesis plays more like a religious testament than a documentary primer.
Read MoreDepending on your affection for and familiarity with exorcism films, Christopher Alender’s The Old Ways may seem admirably novel or hopelessly rote.
Read MoreZack Snyder’s Justice League is the best superhero team epic—and the last one we need, at least for a good while.
Read MoreThe conclusion of Leigh Janiak’s Fear Street trilogy comes undone due to its narrative structure.
Read MoreFear Street Part Two: 1978 is the best film in the trilogy due to its well constructed relationships and emotional storytelling.
Read MoreFear Street Part One: 1994 plays like Stranger Things, but for teen fans of horror movies.
Read MoreIn its best moments, No Sudden Move recalls the easygoing crime plotting of Elmore Leonard.
Read MoreAlexandre Aja’s confined-space thriller mines plenty of claustrophobic tension, but ultimately doesn’t trust the strength of its limited premise to hold the viewer’s interest.
Read MoreUnhinged is a trashy exploitation flick that uses a bloated and creepy Russell Crowe to fuel its blunt-force thrills.
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