Anders revisits Paul Verhoeven’s 1987 sci-fi action-satire and finds a new appreciation of the film.
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The YouTube phenomenon makes its way to the big screen in this “liminal space” horror film.
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This 1997 supernatural legal thriller gains some interest from Al Pacino’s entertaining turn as the Devil himself, but the surrounding melodrama is lacking.
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Marvel’s first family finally joins the MCU in this solid superhero film that gets at the appeal of the classic comic book characters.
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Friendship, the new comedy starring Tim Robinson and Paul Rudd seems destined to become a cult classic.
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Anders and Anton work out why they feel that the Coen brothers’ 2016 Hollywood satire, Hail Caesar! might actually be a great movie to watch on Easter weekend.
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Righteous violence is meted out as Jason Statham re-teams with The Beekeeper director David Ayer in this Stallone-penned revenge film.
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Aren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
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The return of Wallace and Gromit manages to stay true to the charm that makes the series so beloved, while still offering a gentle critique of our technophilic society.
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Anders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
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Take Out, Sean Baker’s debut feature co-directed by Shih-Ching Tso, reveals a strong authorial voice and anticipates the focus of many of Baker’s later features.
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Shyamalan’s 2004 film has its merits, but revisiting it reveals the muddled philosophy that drives it and robs it of many key thrills.
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Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
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The brothers offer a remembrance of the great Canadian actor who passed away on June 20, 2024.
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George Miller returns to the Wasteland of post-apocalyptic Australia with Furiosa: A Mad Max Saga, a direct prequel and satisfying expansion of the world of Mad Max: Fury Road.
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Anton and Anders discuss this documentary featured at Hot Docs 2024 on how the search for dinosaur bones links colonialism, the global bone trade, and scientific discovery.
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Albert Brooks’s film is an amusing, if ultimately unsatisfying, comedy about what happens after death.
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60 years after John F. Kennedy’s assassination, Oliver Stone’s JFK captures how essential conspiracy is to modern life,
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Anders ranks the films of the Final Destination series, one of the first horror franchises of the twenty-first century.
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The third Pirates film threatens to spin out of control, but such an eccentric vision of a dark and whimsical fantasy world has rarely been as vividly imagined on screen.
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