Review: Sleeping Giant (2016)

Sleeping Giant

Sleeping Giant restores some of my faith in the promise of homegrown Canadian filmmaking. I watched the film only days after the Canadian Radio-television and Telecommunications Commission (CRTC) announced damaging changes to the definition of Canadian content, allowing foreign creators and stars to use Canadian money for “Canadian” content. The change is misguided, and ignores the appeal of genuinely homegrown fare like Sleeping Giant, which demonstrates the patient, wild, and self-reflective potential of Canadian art made by and for Canadians.

The film, written and directed by Andrew Cividino, plays like a Jeff Nichols film painted by the Group of Seven. It’s awash in the gorgeous vistas of Lake Superior, namely the Sibley Peninsula (colloquially known as the Sleeping Giant). It makes the rugged landscape a highlight without bowing down to its enormity; Cividino demonstrates the kind of everyday awe of nature that is an essential part of Canadiana. But Sleeping Giant is no nature gazer. Some shots might bring to mind the work of Terrence Malick or Werner Herzog—especially when Cividino watches beetles locked in battle or pauses to let a boy pet a moth—but the natural world is not the focus. The nature of boyhood is.

The film follows three makeshift friends spending the summer at Sibley. Adam (Jackson Martin) is the quiet son of a well-to-do family. Riley (Reece Moffett) and Nate (Nick Serino) are cousins from a lower class clan. The boys are not the sort to normally cavort together, but a quiet summer makes quick bedfellows. Riley and Nate love smoking weed and stealing liquor from the local grocers, while Adam finds it difficult to talk to girls or even confront his Dad with an opinion. However, despite their differences, Adam and Riley genuinely bond, while Nate plays the omnipresent instigator. The particulars of the boys’ interactions—the casual cruelty, the wit, and the homoerotic yearning for each others’ company—are achingly real.

The film has little plot to speak of, instead meandering as the boys do, going from hangout session to evening with the family and back again without much fanfare. However, the film is not without any narrative. It builds a firm arc for these boys, particularly Adam, who grows a little by the end, but perhaps more crueler than wise. Sleeping Giant is no touching coming of age film. It’s more matter-of-fact, more direct, more subdued. It captures the angry, awkward contradictions of male adolescence. Its visuals are ambling, unfixed—the camera quietly shifts and sways as the boys endlessly move about the landscape. It’s a beautiful film, but ugliness is shown alongside the natural beauty.

This is a stunning debut, and all the more so for being authentically Canadian in content and creation.

8 out of 10

Sleeping Giant (2016, Canada)

Written and directed by Andrew Cividino; starring Jackson Martin, Reece Moffett, Nick Serino.

About Aren

Aren likes big movies and he likes small movies. He'll sing the praises of the latest Hollywood sci-fi epic while simultaneously lambasting people for not getting into Hong Kong cinema. He detests egotism in film and film criticism, but is a sucker for earnest spectacle. While he tends to skew more modern in his viewing choices, he thinks film looks best in black and white, especially when directed by Akira Kurosawa. His favourite genres are science fiction and animation, but he'll watch anything so long as it's interesting. He's a prairie boy, born and raised. When he's not writing about movies, he's making them. You can watch his 2013 sci-fi short QUANTOM here: His email is His favourite movies are 2001: A SPACE ODYSSEY (1968), BEN-HUR (1959), BLUE VELVET (1986), THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001), MINORITY REPORT (2002), PSYCHO (1960), RAIDERS OF THE LOST ARK (1981), SEVEN SAMURAI (1954), SPIRITED AWAY (2001), and STAR WARS: EPISODE VI - RETURN OF THE JEDI (1983). His favourite directors are Hayao Miyazaki, Akira Kurosawa, Steven Spielberg, George Lucas, Martin Scorsese, David Lynch, James Cameron, David Cronenberg, Krzysztof Kieslowski, Terrence Malick, Christopher Nolan, David Fincher, and Johnnie To.